Crafting the Cake (Or, How Baking and Writing Should Be Compared)

Recently, I've come to term with a few facets of myself.

To begin with, I've finally realized that I need to bake. Just like I need to write. Perhaps not with the same soul-pinned need to string words together in the right sentences, phrases, paragraphs, sweeping tiers of meaning and warmth and the sense that what I am becomes that much better when it is put down on the blank page.

But at least with cake, I can eat my feelings and I don't have to look them in the eye while weaving them into dialogue and description. Also, it tastes better.

Anyway, I've also realized that the whole thing about baking and writing - "writing is like baking, you need the right ingredients and you have to be ready to wait, the raw material doesn't taste as good as the end result" and so on and so forth - is not...actually legitimate. At least, in regards to me. Probably because I just tugged a chocolate cake out of the oven and I can actually see the end results as pretty and don't actually find the in-process results of baking too bad even if they are rather messy and require a lot of scrubbing afterward.

Yes, writing requires the right ingredients. But the right ingredients vary. You can't always check your way down a list and go, "Oh, I've got my love thread right where I want it, so I'm heading to Aisle 12 to toss in a few thematic elements and maybe a little comic relief."

Yes, writing requires waiting. But at least with a cake, I know that within a good thirty minutes, I'll be heading in there with my gloves on and a toothpick ready to test that ooey-gooey middle - and, unlike an unfinished draft being carefully avoided in the writing program of choice for the week, that middle will settle itself in with a little heat and careful footsteps.

Yes, the raw material is no way reflective of the results. But at least you know what is coming out and you don't necessarily have to toss the entire middle of the cake and pour a new batter around the scorched edges in order to make progress. Well, not always. Okay, maybe that one still works.

I think you get the general idea. And I hope this doesn't sound like me whinging and whining about how hard writing is. Yes. It's hard. Yes. I do it anyway. Yes. I love it and this is my community and I wouldn't trade it for anything because this is such a gift and such a remarkable place to be and know that I am part of it and I contribute to it.

But. For all that baking has made me realize about the frustrations of writing - the unavoidable hiccups and fallen middles and sickening realization that somewhere along the line, you turned the heat too high and didn't stir enough and have to start a new batch (and yes, this totally does work as a comparison for writing) - I did have one important thought pop in my head when I was first sliding in that chocolate cake cooling on my counter:

Baking and writing both do require faith and patience...for you.

In you.

If I can hold a hand mixer in my aching hand and stir a thick batter for two long minutes and be confident that I'm doing the right steps, I should be confident when I'm writing down notes on a love list or starting a new synopsis or feeling that sickening ride-took-a-quick-turn lurch of new inspiration and rushing to take notes on it.

If I can grease a pan and set an oven and feel that I've given my cake the environment it needs to grow and reach its full, delectable, soft and fluffy potential in, I should feel just as secure in my mind's ability to add a creative flair to my own thoughts and imaginings.

Of course, thanks to the mind's impeccable ability to focus on all the wrong steps you take and the pancake-flat ambition of your ideas (or maybe that is just my mind, always snapping at my heels and making me question everything), it is not that easy.

Of course, even if I followed all the instructions in a recipe I'm using for the first time, there's still that nervous feeling of, "This can either be really good or a big waste of my time and flour."

And I don't really have answers for that, still. I would probably write faster if I did and spend less time deleting and tearing up and just...questioning everything. Which I don't do while I'm baking. Which probably says a lot.

Anyway. I think the moral today is create with confidence, create with self-assurance. Create with the thought that you are giving your work the environment and exposure it needs to grow and rise and reach its full, engaging, exciting, personally stirring potential.

And maybe put a cake in the oven so that when the self-doubt strikes, at least your mouth will also be full.

Every Face Lit Up: Kweli 2016 and All That It Was.

For the past few weeks, I've been at a loss.

The semester has long since lost its glossy sheen of expectations, seemingly light assignments and attainable syllabi goals. If, you know, it ever had any of those. I was physically ill, mentally worn out and withered, and reaching down into my creative well for any hope or love or light brought up a bucket of wall scrapings: what I should have been doing, what I should be writing, paltry, painful words that made me wince to type out and made me scratch them out and away like unsightly scabs.

So, just to make that clear right at the beginning: I was living scantily, and with the little energy I had, I was living for Kweli.

I seized on it - the idea of this conference within reach, for people like me, on a weekend when I could actually attend and not glance down at my watch every few minutes, worrying if I'd be missing another commitment.

So. It happened. And I went.

Which really are the most anti-climatic, poorly chosen words to encompass all of what I felt yesterday, and today, and hopefully for the rest of this week because I am still soaking it in and thinking it through and just...being glad and grateful for the rightness that it pretty much was.

My friend Patrice Caldwell really put it best. You walk into this room, and it is full - brimming in every corner and seat and smile - with your people.

My people.

Usually I'm one of the only POC at publishing events and writers conferences, being at #Kweli16 is like home pic.twitter.com/8dR7g0Qexz

— Patrice Caldwell (@whimsicallyours) April 9, 2016

Your shields came down. You code switched right back to your natural default. The slang and the sly asides and the playful ribs during the day just gave me life right back where it was suckered out of me by weekdays filled with casual racism and subtle sneers.

I beamed. Inside, I felt like I bloomed. My very heart was giddy.

And then, right when I'd managed to find a last minute seat, when I'd thought I found a moment to catch my breath and stop appearing so flustered, Edwidge Danticat stood up - and declaimed an incredible keynote that had tears swimming in my eyes, Does Your Face Light Up?

My face lit up. It felt like the entire room, in that moment, reached down inside and held onto their own deep spark. It was a reminder I needed: why we do this, why our voices matter - why my voice matters, even on the days when I droop low and I have to dig deep for the moments Ms. Danticat described, the moments when my heart first opened, or closed, or was battered or bitter or bruised, in order to draw them out onto the paper.

It is because we light up. It is because we feel that rightness.

It is because this story, our story, needs to be told.

Words have wings. Words have feet. We don't know where they will travel, where they will land, who they may comfort...or save. - Edwidge Danticat, Kweli 16

I rarely attend conferences with both the benefit of marginalized focus and discussion on craft. I have to admit, right here, that I ended up spending most of the time meeting with people I adore and only half an ear for some admittedly amazing panels, but the union was there nonetheless, and it was incredible.

Words of truth at #kweli16: When someone lifts you up, you have to open your wings and make room for others. @djolder

— Leah Henderson (@lfhwrites) April 9, 2016

I feel like I will be talking about this for weeks. I will be thinking about it for weeks.

I will hopefully be beaming and blooming for weeks, enraptured by this new sense of self: being part of that large room of belly laughs and cheeky rejoinders and hard-hitting truths and realizing that I am part of this world, I can hang with these incredible people, I was literally in the room where it happened and new talent walked away inspired to wield their gifts and everything pulsated with one beat:

Your story matters. Your story matters. Your story matters.

At the heart of everything we do is storytelling...telling each other difficult & beautiful truths-@djolder #kweli16

— Samira Ahmed (@sam_aye_ahm) April 9, 2016

I'm not sure what else to share. There are little moments, funny and sweet moments: hugs and first meetings and being applauded while my mouth was full of a bagel and I hardly looked anything professional.

Oh, and going out to lunch and getting pancakes.

Because that did happen.

Today, my heart is hopeful. My mind is teeming over. Today, I feel my worth. I feel the weight of my responsibility and the memory of the girl I was, the girl who others currently are, who wanted mirrors and windows and hope and love and light and winged words to land in her lap and console her with their well-timed wonder.

"Be gorgeous. Be courageous. Be present." Also "write for the life you have." #kweli16 #keynote

— Nisha Sharma (@Nishawrites) April 9, 2016

In that moment, in that room, every face lit up.

And it happened and it was everything and I hope I experience it again soon.

Bring Me Back To The Start: Rereads, resurge, reliving the memories.

Today, dear readers (if I have any left after how awful I've been with updating this blog), I am thinking about beginnings.

And, oddly enough, how they never quite lead to the ending that you suppose they will - which is just fine, for me, because the Kaye I am now is not the Kaye I thought I would be and she is definitely a far sight better than the Kaye I thought would be for many, many reasons, even if one of those reasons is sadly not a less dumpling face than the one I still have.

You can't win them all.

I was about to label this "Expectation" but...I didn't actually want to grow up and look like Tuxedo Mask.

Don't worry. This is not going super philosophical. I save my driest musings for my mother's ear right when she's engrossed in something particularly important, which I know she appreciates a lot. What I'm particularly thinking about today is circa sixteen or seventeen year old Kaye - and her favorite YA.

Summer used to be the time where my reading simply flourished. Even the slightest flush of warmth in the air brings back deeply evocative flashes of prickly grass under bare toes, sprawling out over the trampoline with a paperback in hand and an already melting popsicle dripping between my fingers.

(This was...obviously pre-university, because now the thought of all that luxurious free time and reading material selected by me, for me, is making my eyes water. Give me a minute.)

One of the titles that came to mind right away for me was Avalon High by Meg Cabot. Gosh, I loved that book. I remember listening to it on audiobook while washing the dishes, and getting all caught up in the idea of reincarnation and King Arthur coming back as a rather sweet high school jock and yeah, that could work actually - and then realizing suds were getting all over the floor.

Not one of my best moments.

I also read a lot of Shannon Hale. A lot. (But Shannon is boss, so I don't think you can blame me.) I really adored The Goose Girl, and still do. 

That was also the year of Maureen Johnson's 13 Little Blue Envelopes and a brief, brash fantasy of wandering all over London on a treasure hunt of my own. It's odd looking back and realizing that I was really rather taken with contemporaries back in the day, in spite of being a spec girl to the heart and hilt in regards to my writing. I think How to Say Goodbye in Robot was my favorite of that entire stage, and that's pretty weird to think about.

Oh, wait, scratch that. Howl's Moving Castle has always reigned no matter what else came into my life. What was I thinking.

In any case, I've been wondering if these titles that occasionally wander over my tongue when I've bitten into something deeply profound and nostalgic - today, it was a Jelly Belly green apple bean, so you can see what a poetic soul I have - really hold up, and if I'll actually ruin all those sun-lit, spark sharp feelings I did have in those immediate moments of reading them.

I guess this will be the summer to see.

In some ways, though I'm grateful for all that I've gone through and the ways it's made me who I am, I would like to go back to the start in terms of myself as a reader. I would like to take who I am now - the awareness of problematic representation, the hunger for different voices and experiences - and supplant that into the girl who devoured and didn't overthink, didn't compare, didn't worry that she couldn't live up to this legacy or these blurbs or this gorgeous cover design.

Sometimes, even when moving forward, it's good to remember what is worth keeping from your old selves. Not all of it can or should be cicada-shed off my shoulders, and I think just writing this post for myself reminded me of that.

Start again. Read again.

...Not necessarily sixteen again, though. Once was enough.